welcome to what we took from is the state
Exhibition, Queens Museum, New York City
March 12, 2016—April 15, 2016

 

The South Asian Women’s Creative Collective (SAWCC) formed in the late 1990s, before 9/11, the invasion of Afghanistan, and the ongoing US-led Global War on Terror. Between the organization’s founding and today, the ground of this community has shifted amid the geopolitics of endless war and the carceral politics of the state.

Operating in parallel to these wars waged by the state against those it deems terrorists, non-citizens and anti-nationals, are the social, domestic, and commercial spaces of our gathering—other resistant “black sites”—that are the subjects of many of the artworks brought together in this exhibition. These spaces are the resources referred to in the exhibition’s title—sites of nourishment, care, kinship, and celebration that come into existence through the entanglements in which they are given away. Through works that take many forms, including installation, photomontage, video, performance, and social sculpture, artists in the exhibition ask how we might recalibrate our feelings in relation to one another under the pressure of antagonisms that seek to diminish and destroy the social bonds and debts that hold us together.

welcome to what we took from is the state highlights multiple modes of artistic practice that engage with what precedes and persists beyond the call to order, just out of view of the state. To borrow once more from Fred Moten, whose poem “Block Chapel” from The Feel Trio gives this exhibition its title, the works in welcome to what we took from is the state say, “you’re perfectly welcome to what we give away.”

Participating Artists:
Anushya Badrinath
Chitra Ganesh
Mariam Ghani
Sue Jeong Ka
Ayesha Kamal Khan
Raja’a Khalid
Ayqa Khan, Fariha Róisín, and Nafisa Kaptownwala
Gelare Khoshgozaran
Umber Majeed
Huma Mujli
Ayesha Sultana

South Asian Women's Creative Collective Annual Exhibition
Queens Museum, New York
March 2016

 
welcome to what we took from is the state.
there’s hot water in a carafe on the second floor
and the other bottom altar is an ordered pair
with lemon chocolate on the curb. enjoy the
recital and hospitality. come upon surround
recall the project rubble everywhere. come up
on some common operations. drink the open
of the open evening mix. english breakfast and
some curd and light whipping. get up on the
logic board of new opposite steps that come
upon remains arranged by hand like an english
garden. refuse the individual best and the sad
impersonal personal shit that plays off every
other frank but my little irregular frank, his
body shaped like an accordion, his body shaped
like a pair, in the every day feast day, but come up
on. you’re perfectly welcome to what we give away.
— Fred Moten, The Feel Trio
 

Exhibition Event:
Conversations Between Us
Public Program, Convener and moderator
The Queens Museum, New York, NY
Saturday, April 2, 2016


Printed Material:
Exhibition Catalogue

Download PDF of exhibition catalogue